In the Simon Boccanegra, a regular people enjoys success push upon him, fulfilling their ultimate dying through a good confluence off fate and you can scenario. In the act, the guy seems to lose and you can regains a beneficial daughter, quashes a wave or two, and you may unites Italy together with passing away breath. Of a lot audience revere Verdi’s masterful get if you’re while doing so sniffing from the convoluted spot, however, Laurence Dale’s development for Opera Philadelphia’s Event O23 tends to make a good persuasive instance to the work’s remarkable unity.
The new movie director have that point intentionally unclear, that have imposing set because of the Gary McCann you to definitely discreetly suggest an excellent fascist graphic. That investigations might seem some unjust to the name reputation – men who is moral into key, though the guy dont completely steer clear of the trappings off autocracy – nonetheless it underscores the fact that you to definitely person’s savior was another’s tyrant. Dale employs more-textual products that complement the newest backstory rather than contradicting Piave and you may Boito’s libretto. The latest manager and you may music artists perform an enthusiastic admirable quantity of specificity in storytelling, considering the large expanses of your own Academy out of Music’s phase and you can the opera’s periodically fixed runs.
One could pay attention to inside the Taylor’s sound the possibility to alter toward a good Verdi baritone inside the own right
On gap, Corrado Rovaris unflaggingly aids the experience onstage when you are confirming the latest brilliance of one’s score, starting with female designs on stately prelude. By the end of your Prologue, in which Boccanegra is actually increased in order to Doge from Genoa, he whips the latest orchestra towards the an excellent phantasmagorical madness, and therefore complements the extreme singing of one’s plebian chorus. (Opera Philadelphia chorus grasp Age Braden will continue to really works magic which have their pushes – I would personally Site Web du mariage Baltican dislike to get rid of their unique in your town, but she would be for the contention toward in the future-to-be unused Urban Opera gig.) From the nights, Rovaris renders one listen to common songs which have the new ears, due to the fact when he ravishingly levels new chain, wind gusts and you may percussion when you look at the “Come into quest’ora bruna” – in addition making Verdi sound like the new progenitor from one another Debussy and you may Berg.
To have his first trip on the label character, Quinn Kelsey will continue to burnish his bona fides given that premier Verdi baritone out-of his age group. In the event he never ever battled which have vocal projection, he best lyricism throughout the, shading their melting legato singing that have recommendations of age and you will indecision in lieu of barking contours to deliver Boccanegra’s installing emotional distress. His latest utterances seemed appropriately troubled, even when their powerful tonal charm remained. To your help of Fernand Ruiz’s clothes, he displayed their character’s development regarding effortless corsair to help you huge leader, and you may throughout the opera’s after acts, he reminded the audience one to Boccanegra has been an essentially an excellent man during the their key.
Soprano Ana Maria Martinez lacked a number of the hallelia, the fresh child from Boccanegra who’s elevated because of the their archenemy, Jacopo Fiesco. Usually do not assume ethereally floated higher cards or a certain expansiveness of tone. Hook defeat crept to your Martinez’s voice on minutes, also, but complete, she produced an intelligent and you can extremely musical interpretation regarding good Verdi heroine who can occasionally seems rather and you can vacant. Her Amelia is headstrong and you may confidant, even when it’s hard to comprehend just what attracts their particular so you can Richard Trey Smagur’s hooty, overacted Gabriele Adorno.
Into the a beautiful recurring moment, a white-gowned supernumerary haunts the periphery once the Boccanegra’s later partner and Amelia’s mother; she eventually leads Simon on the afterlife
Christian Van Horn clipped a regal, dignified profile while the Fiesco, whilst character is an octave approximately underneath the spirits area away from his fundamentally lyric bass-baritone. Given that Paolo Albiani, Boccanegra’s turncoat advisor, baritone Benjamin Taylor was a breakthrough, raining acres of plangent tunes to the just what can easily be a beneficial standard-issue villain.
